My mother warns me / that Grandmother has awakened / from death, / taken a shower / and put on a dress / over her naked body

Do we all migrare: pass into a new condition? / Are we all natives—nativus: born in bondage— / walking toward no-border?

And it was ordinary, that year, / when the artillery fired blanks, / and the glass hail panicking / the crowd vanished / where it landed, / and there was no hail, / but only the prosody of sleet.

Three shades of afternoon light—gluttonous— / Salt me when I open the door / I wasn’t expecting it / Marigold mouths pout / Fresh leaves threaded to greet newcomers / What a betrayal then, to curdle with sweetness!

By the base of his steps, there was a flower pot with a sad, half-dead plant. She lifted the thing. Felt the small force of its weight against her. Stupid, she knew. But she was a container brimming over. And she needed to let something go.

Mom says a white deer means blood is coming. When I sleep, the forest floor is a lake of red, no matter if the deer are white or brown. A gunshot sounds.

It’s approaching midnight and this is not how I would have wanted it to happen: sitting by myself on my porch, drinking wine from the bag of a box and chain-smoking cigarettes...

Who called Mirrellez C. Elliott and told her that her son had died in police custody? How many minutes did it take for the police to drive De’Sohn from where he was arrested in New Haven to the police station at One Union Avenue?

and the tour guide said what a shame how awful the heroin in Kensington but we would not be focusing on that today because this was an African American Iconic Hero tour and she smiled beatifically at the Black couple and the Black couple only...

Late one night in April 2006, I heard an unexpected knock on my bedroom door. I lived at the time with a loose coalition of punks, anarchists, hippies, and nondenominational nonconformists in a squatted block of flats, across from rumbling tracks, in a working class suburb of Barcelona, Spain.

I let him stand there for a few minutes, waving his arms while he rambled on about the wonderful days of our youth. When he finally fell silent, I told him that I had no idea who he was.

But dying is a specific outcome of the world’s game. / I ask the AI what a Black solution would be. // “One that does not kill the player.”

Our boys didn’t come home to the swamp after fighting the North, but James did. He came back with a phantom limb, believing he could feel the clench of the muscles that had been amputated in a surgical tent, bloody saws and chloroform rags and dirty knives.

For a while I thought maybe something was wrong with me, like you sort of hope there is when you're a teenager.

how easy it is to erase rusting yellows? / how easy to let blues blue into zombi? / how easy / is ease?

I’m writing a book about fires. Metaphorical and literal. About the way human relationships spontaneously combust. How a self crashes and burns.

Here it was laid out: we’d tricked with Clint a few times over the years. Sure, he was a geek, but he possessed this obscure magnetism. He was so indelibly himself, we allowed ourselves, when with him, to believe that the established rules of conduct, constraining all men of our tribe, could be ignored.

Site is a four-part series of visual poems/essays/works. Each work reproduces the Trinity Test site in New Mexico—the location of the first atomic blast the world has known—at specific moments in time after the detonation.